Enjoying a concert, watching a movie, or filming a video all have one very common characteristic that can ruin your experience. Can you figure it out? Yes, the audio! This article is all about the Best Boom Mic for Filmmaking.
No matter how excellent the shot or the plot, a movie will never receive a perfect score if the audio is poor. Consider how terrifying it is only to hear footsteps in a horror movie, but at the same time, that is what makes them the most thrilling.
Who gets the credit? Boom mics. Boom mics are the best option for capturing audio while making a film. These beasts can capture the best sounds and can be brought closer to the subjects without breaking into the frame.
You can probably guess what our topic for today will be. Let’s take a look at a few of the best boom mics for filmmaking!
Six Best Boom Mics for Filmmaking
The appearance of a boom mic is now well-known to everyone. Due to the small microphones mounted on boom poles are also frequently referred to as “shotgun microphones” because of some of their structural resemblance to one.
There’s no denying that it’s the best mic for long-distance shoots where the camera can’t get close enough to record the audio. So what are our top choices?
Table could not be displayed.Rode VideoMic Pro R Camera-Mount Shotgun Microphone(best boom mic for interviews)
Let’s start with one of the more well-known models, the Rode VideoMic Pro, an illustration of fine art at an affordable price. Given that you can mount (it’s a shock-mount) it on DSLRs, hand cameras, and of course boom mics, it is one of the most functional options available. Therefore, it can be your portable choice, even if it is not for professional use.
This one has a high pass filter so that you can get the most professional audio quality possible by getting the correct frequency accuracy. The two-stage pass filters will give you more control over your audio and ensure that it sounds exactly how you want it to.
You’ll notice that it has a foamy appearance, shielding the audio quality from background noise and fricative sounds. Additionally, it has a built-in shock mount to lessen handling noise.
The price alone is a benefit, and in addition to that, you can use AA batteries or a lithium-ion battery pack to power it. There is also a USB alternative to charge it as well. The only drawback might be the shorter length, which might force you to approach the subjects more closely.
Pros
- Optimized Super cardioid Shotgun Condenser Mic.
- The design is extremely light and compact.
- High-quality audio production.
- Outstanding noise reduction.
- Excellent value for money.
Cons
- It must be positioned near the source.
- Outdoor use is not recommended.
Sennheiser MKE 400 Shotgun Microphone
We now have the well-known Sennheiser MKE 400 for an upgraded super-cardioid shotgun microphone. Try this metal housing if you don’t like puffy appearances to feel truly premium.
Besides that, the MKE 400 model has a 3.5 mm audio jack with a volume-controlled audio system. If your camera or phone lacks a dedicated connector, this just might be it. It is also compatible with the majority of cameras on the market.
The exciting part is that you can use it with cameras, smartphones, and other devices. However, the batteries are rechargeable and this auto-shuts off when it is connected to a camera or other device to sustain the battery life.
You can switch between three levels for gains and an additional low-cut filter. What’s more, you’ll get the clearest audio thanks to the embedded weather shielding and shock resistance feature.
Pros
- Solid, all-metal construction.
- Good control over noise rejection.
- Sensitivity can be changed between long and short ranges.
- Well over 300 hours of activity time.
- Highly compatible choice.
Cons
- Gain is restricted to three different levels.
Sennheiser Professional MKE 600 Shotgun Microphone(Best Boom mic for Film)
If you enjoy working on more challenging filming, I recommend using one of the top mics for filming outdoors, the Sennheiser MKE600. Its high-quality audio system and premium, sleek appearance make it a tough competitor.
Most of us have an image of a microphone in our minds that is clunky, unattractive, and puffy, but once you see the MKE 600, that image will vanish. The appearance speaks for itself, and on top of that, it’s a directional shotgun microphone, meaning it can pick up sounds while pointed in a particular direction.
It’ll ignore external sounds and select only those that serve its intended purpose, providing you with the desired audio clip at the proper frequency.
The MKE 600’s phantom power mode also allows you to control power efficiency. Additionally, there is no possibility of a sudden power outage because the low battery warning indicator has a flashing light system.
Pros
- Effective noise-canceling technology.
- Good interference-resistant.
- A directional microphone for boom poles.
- Sleek and appealing appearance.
Cons
- The additional cable and TRS must be bought separately.
Audio-Technica AT875R Shotgun Microphone
The AT875R boom microphone from Audio-Technica is the most portable model available and was created specifically for recording audio and video. If you’re new to blogging, interested in street shootings, or into making movies, you must check out this great DSLR boom mic for filmmaking.
Its key advantages are that it is incredibly light, can be mounted on a pole with ease, and can be kept out of the frame due to its compact size. Likewise, you can mount it on your camcorder on the top of your recorder or DSLR without adding too much weight to it if you plan to use it to film.
Besides that, this has excellent noise cancellation technology and directional audio pick-up. When looking for the best shotgun mic for independent films, a dynamic range of 127 dB is what you can expect to find most affordably if you give this AT875R a try.
The only thing lacking, though, is that it might need to be placed closer; otherwise, the sound might get too thin and might sound rough at greater frequencies. It’s not compromising and can be easily fixed with an equalizer, so don’t worry.
Pros
- Extremely small and light in weight.
- Ultra-portable; you can take it anywhere.
- Most suitable for use with small digital cameras.
- Excellent side and rear sound cancellation mode.
Cons
- Unless you are right next to the recording source, it sounds a little shallow.
Tascam TM-2X Stereo X-Y Microphone
TASCAM never failed to astound their clients when it came to customer service, and the TM-2X Stereo X-Y Pattern Mic for DSLR Cameras is proof of their unwavering commitment to audio. You can now easily enjoy the advantages of the DR-series on cardioid mics, and that too at a higher level.
The X-Y pattern configuration on this stereo X-Y microphone will provide you with the best directional condenser service possible. This boom mic was chosen as the best boom mic for cinematography because of its amazing ability to withstand intense audio pressure and a frequency range of up to 20 kHz.
The configuration, which combines a connecting cord with a camera input jack, is what makes it the most versatile and compatible device available. So, your video and audio can both be of the highest quality.
Besides this, the low-cut filter prevents background noise from destroying your videos. Furthermore, the noise isolation arm will help to lessen any interruption caused by changing the lens or the focus. You can turn it on and off manually as you please.
With a built-in furry windscreen, the speakers are protected from even the strongest winds without distorting their sound. Therefore, it should be the best microphone for outdoor filming!
Pros
- Captures the precise sonic.
- Easily withstands loud sound pressures.
- Eliminate low-frequency external noise.
- For better sound quality, it can be plugged in and mounted.
Cons
- Quite heavy, making handling your camcorder or DSLR difficult.
Sennheiser MKH 416-P48U3 Tube Microphone
One of the most popular shotgun microphones used by experts in the film and media markets is the Sennheiser MKH 416.
One of the factors contributing to the MKH 416’s popularity for outside telecast audio is its directivity. The interference tube concept has the ability to select the precise sound you desire, and it will pick the exact sound you want it to choose.
This microphone will offer the same increased condensing stereo with a very relatively low self-noise, just like any superior high-end condenser. You don’t have to worry about placing it around the audio source; even if it is positioned too close to the source, the proximity mechanism still contributes to evenly balanced audio.
Given that everyone wants something that appears to be attractive and stylish, the premium metal body construction already gives it the go-ahead for use in professional settings.
Finally, the RF condenser setup makes it moisture-resistant. So, if you’re considering recording in obnoxious, harsh weather, I say go for it!
Pros
- Professional level sound quality.
- Superior noise-canceling technology.
- Outstanding sensitivity.
- Full metal body; solid construction.
- Suitable for use in rough and adverse conditions.
Cons
- It’s an expensive choice, but it’s well worth the cost.
How to Choose the Best Boom Mic for Filmmaking
Choosing the boom microphone that works best for the shot is crucial. Boom mic produces high-quality audio with a better noise reduction system. Podcasters, YouTubers, vloggers, etc., like boom mic nowadays. A boom mic attaches to the end of the boom pole to hold it comfortably and in the distance to shoot film or video.
Consider some factors before choosing a boom mic. Check the polar pattern, weight, shape, frequency response, sensitivity, and more.
Polar Pattern
This is the most crucial thing to consider when buying a boom mic. Every boom mic has various pick-up patterns to select or reject sounds from a different angle. Depending on your mic’s purpose, check the polar pattern of its features. If you are shooting outdoors and have to move around a lot, choose a mic, place it in the right place, and listen to the pattern.
Sensitivity Level
Boom mics are primarily used in filming movies and podcasts where the tough subjects move around a lot. So choose a boom mic with high sensitivity level with low-pitched noises. The sensitivity should work both forward and reverse the process because you can’t hold the mic directly in front of the mouth; it has to be at the upper or lower side of the subject. It primarily works at the upper side because sounds travel up, so the mic should capture the voice and reduce other noises from a distance.
Connectivity
Boom mic has different kinds of connections. So the connectivity depends on what type of work you will do with the boom mic. Choose a boom mic with an XLR connection if you use a separate audio interface. If you want to connect it to your mobile, choose a mic with a type c lighting connector.
Accessories
Check what accessories are included with the mic. Some companies provide windshields, foam windscreens, mic holders with 5/8″-3/8″ connectors, protection boxes, and extra cables to work with it in different situations.
Weight
Weight is another factor to consider. Choose a lightweight mic as you have to carry the boom pole, maybe for a long time, and it also needs to move ups and down, left and right, so the mic should be comfortable to carry. Using a hefty mic would be difficult in various situations, so don’t choose it. Also, the boom arm must be strong and sturdy enough to hold the mic for a long.
Shape
Boom mics come in a variety of shapes and sizes. Some are round; some are long. Choose a mic that fit with your accessories and that easy to handle. Also, the mic should have a windshield to capture better sound. Check the parameter and cross-check if it matches the boom socket. Check the manufacturer’s specifications.
Frequency Response
Check if the mic can capture natural sound. The frequency response should be average level to the microphone. Low-frequency response mics don’t work better, especially if the weather is terrible.
Longevity
Stainless steel or thick aluminum boom mic stays longer. Choose a sturdy mic that can withstand critical situations and produce better sound quality. However, the price will be higher, but good things come at a cost.
Check out the chart to understand what you need better:
| Features | Rode VideoMic Pro R | Sennheiser MKE 400 | Sennheiser MKE 600 | Audio-Technica AT875R |
|---|---|---|---|---|
| Portable option | Yes | Yes | No | Yes |
| Shock-mount | Yes | No | No | No |
| High pass filter | Yes | No | No | No |
| Noise reduction | Yes | Good | Effective | Excellent |
| Power source | AA batteries/Li-ion/USB | Rechargeable | Phantom power | No |
| Appearance | Foamy | Solid metal | Sleek | Compact |
| Compatible with cameras/devices | DSLRs, hand cameras, boom mics | Most cameras | Boom poles | Small digital cameras |
| Gain control | 2-stage pass filters | 3 levels | No | No |
| Weather shielding/shock resistance | No | Yes | Yes | No |
| Price | Excellent value for money | Good value | No information | Affordable |
FAQs
Do you need a boom mic for films?
It’s not as if making films and movies can’t be done without using a boom mic, but it’s very popular to use one for a better, high sound quality. It improves the audio by having a closer approach and picking out the precise audio, which makes the film even more exciting.
These tiny shotgun microphones are now very common on camcorders and film sets. Movies commonly use them to get the recording device near the object without restricting the shot.
What is the difference between a boom and a shotgun microphone?
Shotgun microphones have a slightly different appearance depending on their intended use, whereas boom microphones can be moved around on film sets because they are mounted on the ends of boom poles. Shotgun microphones have interference tubes, are highly directive, and have additional uses besides boom miking.
What type of microphone is best for filmmaking?
Undoubtedly, the best microphones are those that are most portable, have the best noise cancellation mode, have the highest level of audio-pickup sensitivity, and have the ability to pick up fine details from the source without interfering with your film’s frame. If you go through a list filled with boom mics for filmmaking reviews, Sennheiser MKE 400, Sennheiser Professional MKE 600, Audio-Technica AT875R, Tascam TM-2X Stereo, and many other models can be seen as popular choices.
Boom! What’s your pick?
It can be challenging to accurately capture the sound of the sources with just a camera when there are many moving objects in the frame of a film. A second monitor/support that can be brought closer to the source and pick up the audio you require is sometimes necessary.
The best boom pole for films and a shotgun microphone—what we refer to as boom mics—would be the most portable alternatives in such cases to save your filmmaking desire. They can move, reach further, and be outside the camera shot precisely as you desire.
So, if you’re thinking about getting one, I hope the reviews of boom mics for filmmaking I presented can address all of your concerns.
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